articles/Bags/photo-bag-review
by Mike McNamee

Recovering bagaholic, Mike McNamee falls of the wagon again.
I fear that I am morphing into a camera bag equivalent of Imelda Marcos.
She couldn't keep her hands away from collecting shoes, with me it's
camera bags and rucksacks!
Now I know that I am not alone in this vice - almost all photographers
have more than one camera bag and live in a permanent quest for a 'more
perfect' match. This, of course, is impossible - like a lady's handbag there
is no such thing as a perfect one and the only way to address the dilemma
is the purchase of a bag menagerie!
My previous pack was the f-stop Tilopa and when this was nicked, a
replacement was sought. This was a legitimate enterprise, a chap has to
have a bag after all. The Tilopa's predecessor was (and still is) a 35-litre
climbing rucksack into which lenses were chucked with no more than
spare socks for comfort. This is hardly convenient and when bad weather
was expected each lens was often packed into its own padded bag. At
48 litreS, the Tilopa lives at the higher end of the day-sack range and
could be pushed into overnight service providing the weather was warm.
However, the length bordered on the long side for your tiny editor, a
problem that would also Affect many women. Fast forward to a couple of
weeks ago and just as I was leaving Wilkinson Cameras, the manager, Sara
Penwarden, dangled the new Mindshift Backlight in front of me. This is
not something that should be done to a recovering bagaholic. The upshot
is the subject of this review is an owned, not borrowed, copy of the bag!
The Mindshift Backlight is a 26-litre day pack, back-opening with facilities
and attachments for walking poles, crampons, ice axe(s) and a modest
space for waterproofs, etc. The back opening may be accessed by
swivelling the bag round to your front (with the waist belt still closed).
Then there is a handy lanyard to keep the back flap out of the way while
the bag acts as something of a bench. Not having to put your bag down
on the ground is a bonus for several reasons:
1. It keeps sheep shit off your shoulder straps.
2. The bag cannot roll down a riverbank into a stream (or for that
matter down a slope and over a cliff ).
3. On the beach, the gear is kept further from blowing sand.
4. The dog cannot get to your sandwiches.
5. The gear is more secure when directly in front of you all the time.

The bag is equipped with dedicated tripod straps on the back but if that
places it too far from your spine then you have the option to place the legs
in the side, bottle pocket and secure the top with the strap near the top
of the bag. Having the tripod tight to your side is preferable in confined
spaces; with the tripod on the back there is a tendency to turn and bash
into fellow travellers (although some might consider this a bonus!). The
water bottle pockets themselves are a decent size and will hold a onelitre
Sigg bottle comfortably, but could also take over trousers or even a
lens. There is a separate rain cover which opens flat to act as a kneeler or
ground sheet but can cover the whole bag and tripod in rough weather.
In terms of capacity, the 26 litres divides into the main compartment which
can hold, for example, a Nikon D810 with 24-70mm f/2.8, 70-200mm
f/2.8, 105mm f/2.8 macro and 14-24mm f/2.8 plus SB900 flash as well as
accessories such as filters, cable release and spare cards. The remaining
nine-litre divided space will hold a lap top or general stuff such as maps,
food, warm-weather gear, etc. The exterior of the pack is abundantly
provided with accessory loops and daisy-chain webbing.
The shoulder straps are heavily contoured for greater comfort and also
have daisy chain loops and a sternum strap. The bag carries well especially
because of its slightly smaller height, one of the issues I found with the
Tilopa was that the overall length forced the bag down over the hips.
Overall the Backlight is an out and out day sack but a very accomplished
one, stylish, well designed, comfortable and practical - very much worth
the asking price. As with the f-stop range, the bags bear the hallmark of
being designed by outdoor types and are equipped for utility rather than
skimping on material and strapping here and there to save a few cents.
The Backlight is available in green or a very dark grey. The Mindshift range
itself is worthy of looking over as the designers have come up with some
ideas that are unusual, possibly unique. Foremost amongst these are the
Panorama Rotation range, so called because the whole lower portion of the
bag rotates out of the containing sack round to the wearer's front (see www.mindshiftgear.com/).
Think Tank Photo launched MindShift Gear in February 2012. MindShift
is a group of committed professional photographers and product
designers who support conservation and protection of our natural
resources and planet. They are dedicated to building carrying solutions
for those who are passionate about experiencing the natural world.
see www.mindshiftgear.com.
SPECIFICATIONS
Exterior Dimensions:
11.4" W x 20.3" H x 7.9" D (29 x 51.5 x 20 cm)
Interior Dimensions:
10.2" W x 19.3" H x 5.9" D (26 x 49 x 15 cm)
Laptop:
10" W x 15.3" H x 1"D (25.5 x 38.8 x 2.5 cm)
Tablet:
9.3" W x 10.2" H x 0.6" D (23.5 x 26 x 1.5 cm)
Weight: 3.9lb (1.8kg)
Volume: 26 litres
Materials:
Exterior: For superior water resistance, all exterior fabric has
a durable water-repellant coating, plus the underside of the
fabric has a polyurethane coating. It also has highest-quality
abrasion-resistant YKK RC-Fuse zippers, 420D velocity nylon,
420D high-density nylon, 320G UltraStretch mesh, 350G
airmesh, nylon webbing, 3-ply bonded nylon thread.
Interior: 210D silver-toned nylon lining, hexa-mesh pockets,
high-density closed-cell foam, PE board reinforcement, 3-ply
bonded nylon thread.
GEAR PROFILE